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Not anymore. While Guilt Show does represent a partial return to the hookish, energetic emo well, and many of the genre's traditional concerns-generational angst, fretting over relationships-crop up in the lyrics, there's a distinctively classic-pop sound at this confident record's core. The better tunes channel icons at once overt (several arrangements are, in their complexity, quite Beatle-esque) and subtle (some may hear the Clash in ""The One You Want"" but the strutting manifesto is actually closer to vintage Raspberries). The best cut, ""Martyr Me"" features a glistening Searchers/Byrds 12-string riff and a churning powerpop vibe straight outta Plimsouls territory, while ""Sick in Her Skin,"" a lush, at times symphonic number, recalls Cheap Trick circa Dream Police, right down to the glossy synth flourishes and edgy Robin Zander-like vocals. Life, it seems, actually did begin before the first Weezer and Green Day albums, and Guilt Show marks the reemergence of a band unafraid to reach backwards for inspiration even as it moves forward artistically.
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