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PUNK

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Smash is the third studio album by American punk rock band The Offspring. After touring in support of their previous album, Ignition (1992), The Offspring began recording Smash in October 1993 at Track Record in North Hollywood, California. Recording and production were finished two months later, and the album was released on April 8, 1994 on Epitaph Records. Smash incorporates elements of punk rock and grunge. In the United States, Smash has sold over six million copies and has been certified 6x Platinum by the Recording Industry Association of America (RIAA). Peaking at number four on the US Billboard 200, it has sold over 11 million copies worldwide, making it the best-selling independent label album of all time. It was also the first album released on Epitaph Records to obtain gold and platinum status. Smash was The Offspring's introduction into worldwide popularity and critical acclaim, and produced a number of hit singles including the hugely successful "Come Out and Play", "Self Esteem" and "Gotta Get Away" singles. Alongside Bad Religion's Stranger than Fiction, Green Day's Dookie and Rancid's... And Out Come the Wolves, Smash was responsible for bringing punk rock back into mainstream, and helped define the sound of the emerging pop punk scene in the 1990s. As a fan-favorite, the album received generally positive reviews from critics and garnered attention from major labels, including Columbia Records, with whom The Offspring would sign in 1996. Smash is the only release where the band was referred to as "Offspring".
The Offspring - Smash [Remastered]
$23.98
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Vinyl LP repressing of this 1986 collection from the Punk legends. The compilation is officially titled Misfits, but is commonly referred to as Collection I and was made up as the first half of a pair with the later release of the compilation album Collection II. It includes several versions of songs that are exclusive to this compilation.
Misfits - Misfits  Collection
$27.98
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Embark on an intergalactic musical odyssey with Sonic Universe's debut album, "It Is What It Is." Corey Glover, acclaimed lead singer of Living Colour, and guitarist Mike Orlando from Adrenaline Mob join forces to explore new sonic dimensions. Recorded at Sonic Stomp Studios in New York City, the album kicks off with the dynamic title track, blending a powerful drumbeat, driving bass lead, and Corey's electrifying vocals.

The standout single, "I Am," delivers a bold declaration of confidence and independence. The band, including TaykwuanJackson on drums and bassist Booker King, showcases a seamless fusion of their talents, culminating in a sound that's both fresh and unmistakably their own. As Living Colourgarners recent international attention, this collaboration with Adrenaline Mob brings forth a brave new world of musical exploration.

Lyrically, the album navigates personal and political themes, creating a rich tapestry that spans punk, funk, metal, and rock. "It Is What It Is" promises to elevate listeners to new heights with its diverse soundscape. Join Sonic Universe on this captivating journey through galaxies and time itself, where each track unfolds a unique chapter in this extraordinary musical universe.

Sonic Universe - It Is What It Is [LP]
$27.98
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Stitching together the frenzied snarl of gory early 1990s OSDM and eerily plodding doom intonations, COFFINS find no shame in continuing to perfect the vile, derelict strain of dungeon-crawling death-doom for which they are revered." - Invisible Oranges Japan’s COFFINS return with their crushing new full-length album, Sinister Oath. Recorded ahead of the band's 25th anniversary in Tokyo, Sinister Oath further cements COFFINS' legacy as one of the most putrid sounding and uncompromising Old School Death Metal bands in the world. From the chest-pounding, drudgy opening of "Spontaneous Rot" to the hammer-crushing riffage of "Things Infestation" thereafter, Sinister Oath creeps and crawls through a cavernous space firmly rooted in no-frills Death Metal. The band's signature sound is forever-present: equal parts bleak, doomy, crusty, disgusting, and wholly heavy. Featuring album art by Axel Hermann (Asphyx, Bloodbath, Demolition Hammer, Sodom, and more,) Sinister Oath is COFFINS at their most vile!

Coffins - Sinister Oath [Oxblood LP]
$23.98
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"What Lies Beneath" is the second studio album by the Finnish solo artist, originally released in 2010. Including hits like “Until My Last Breath”, “I Feel Immortal” and “Falling Awake” it is a true fan favorite and one of her most successful releases to date. The 2024 re-issue is available as Deluxe 2CD and, for the first time, as Heavyweight 2LP Vinyl (Gatefold, 180g, black). Both formats feature a beautifully restored artwork, and all tracks were remastered at Sterling Sound for superb sound quality, what makes the 2024 re-issue the ultimate “What Lies Beneath”-experience. The Deluxe 2CD includes the 14 original album tracks and combines them with all alternative versions, single edits, and remixes, many of which are released physically for the first time. It also includes “The Good Die Young” performed by The Scorpions & Tarja, originally included as a bonus track on 2010s.

TARJA	 - WHAT LIES BENEATH [2LP GATEFOLD]
$39.98
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"This is a thick, pummeling exercise in self loathing and meanness"- Decibel Magazine
The UK's IRON MONKEY return with their highly anticipated new album, Spleen and Goad!
On the new album, the legendary band are as uncompromising ever, churning out some of the most gritty-sounding sludge doom in their 25 + year history. Dubbed a "doom sludge vanguard" by The Sludgelord, IRON MONKEY live up to their legacy, absolutely pummelling through each of the 9 tracks on their new album.
 
From the two-ton, heavier-than-anything-else riff opening "Concrete Shock", IRON MONKEY show no signs of easing up; fuzzed out guitars crash against pulse-pound drums, set against vicious, misanthropic snarls and barks. Elsewhere, tracks like the aptly titled "Rat Flag" kicks the band into high gear with palpable fury and malaise.
 
Recorded in their native Nottingham, Spleen and Goad was mastered stateside by Brad Boatright at Audiosiege.
Iron Monkey - SPLEEN AND GOAD [LP]
$23.98
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New Heaven, INTER ARMA’s latest album, is a compelling testament to perseverance, top to bottom. Its thicket of ever-dense layers of doom, death, and black metal occasionally let bits of light slip in, fleeting reminders to keep going amid the tumult.
 
New Heaven marks a sharp turn for the band, showcasing some of the most extreme and angular songwriting INTER ARMA has ever laid bare. Known for their cinematic take on sludgy, extremely cavernous, and borderline psychedelic Metal, the Richmond band broadens their dynamics by seesawing between piledriving momentum and swirling oblivion. New Heaven crushers and conquers, and illustrates what INTER ARMA can truly be.
 
Take the title track, with its hair-raising lead riff stemming from drummer/songwriter TJ Childers’ challenge to himself to write a nonsensically dissonant part that he ended up loving. The song spirals upward into a punishing Death-Metal march, Meanwhile, vocalist Mike Paparo’s stentorian bellows the bludgeon, above an impossibly complicated web of riffs and rhythms. From the get go, New Heaven and the opening title track eschews any restraint - INTER ARMA is completely unchained.
 
Paparo’s keen and empathetic lyrics about innocent victims of war, addiction, and social apathy affirm that feeling, as a survivor grimaces at the carnage behind him and presses ahead best he can. “You stared into the brutish jaws of strife’s heartless device,” he growls into a chthonic blitz during “The Children the Bombs Overlooked,” a late-album powerhouse. “And you turned your back to hell.” That forward march out of madness is New Heaven in an armor-plated nutshell.
 
Though this is indeed another INTER ARMA triumph, it is not a triumphant album, meant to offer some glib or naïve assurance that everything will be fine.
 
What evidence is there for that, really, either on a record where friends are forced into submission, addiction, suicide, or retreat to a world where suffering remains the lingua franca? No, INTER ARMA and New Heaven are too realistic and experienced for that. This is, instead, a record about enduring brambles and curses and lasting long enough to make something profound, honest, and even affirming about it all every now and again—exactly as INTER ARMA has on New Heaven.
Inter Arma - New Heaven [Electric Blue LP]
$23.98
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“Kintsugi” is the latest single from the Ohio based metalcore band Like Moths To Flames and will be used to launch their new album The Cycles Of Trying To Cope – out May 10th.  
This release follows their 2020 album ‘No Eternity In Gold’ which received praise from Wall Of Sound “LMTF deliver their signature sound, but still manage to dial it up a few notches. I genuinely think that metalcore fans will be debating their number one metalcore album of the year” and The Music “Like Moths To Flames have positioned themselves back on the path of success and memorability, crafting a release that laughs in the faces of their many lacking core peers. There might be “no eternity in gold,” but there just might be an eternity in this kind of tightly-wound, well-rounded modern metalcore.”
When speaking about the meaning of track “Kintsugi” singer Chris Roetter states, “When things go wrong, I think we are left to pick up the pieces and forced to choose which piece to leave with. If it's not possible to leave with everything the way it was before it broke, how do you know what piece to hold onto? “.
Like Moths To Flames - The Cycles of Trying to Cope [Light Blue LP]
$24.98
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Night Sins (Kyle Kimball of NOTHING) is aural proof this side of the Atlantic that life does not walk so dark all over Europe alone. Emerging sometime around 2010 under the oppressive skies of Philadelphia, these overcast malcontents are fitly connected to a city engrossed in shadow-soaked vices and dilapidated architecture. Not to imply that there isn't a comforting sort of gloominess in this musical malaise, as Night Sins frolic down the musical path originally cut by The Sisters of Mercy and Clan of Xymox with enough hints of The Mission and extensions into 80's darkwave to produce memorable songwriting that stands on it's own. Bass and drums punch through the mist thick as thieves, guitar lines circle like falcons overhead, minimal synths street clean some of the residual dirt, and singer-songwriter Kyle Kimball's vocals confidently press into the intimate fog. There is a brilliant light in the midst of dimness, and Night Sins is carrying the torch

Night Sins - A Silver Blade in the Shadow [Green and Black Marble LP]
$22.98
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As the vocalist of Belgian post-metal collective Amenra, Colin H. Van Eeckhout is known for his ability to connect with listeners, and to guide them on Amenra’s transformative path to healing. With his solo work as CHVE, he gets to tell his own story – one that aims to take the listener deep within themselves, to tap into something primal that dwells in us all.
Colin began writing his solo music 14 years ago, but he didn’t set out with that specific intention in mind – it happened organically. After buying a hurdy gurdy with Amenra guitarist Lennart Bossu, Colin began experimenting with the sounds it could make. Before he knew it, he had made almost enough music for an album.
“I’m a very emotive person: I judge and work with feeling,” Colin says. “I was trying to speak through the instrument, and finding how to squeeze emotion out of it. I think it’s interesting to see what you can get out of an instrument without learning to play it first, because then you work with it in a very honest, direct way.
“Though I wasn’t planning on doing a solo album, I’ve been in bands since my teens, and there’s always that question mark if you’re in a band: what would your personal story be, and what would it sound like?”
For Colin, CHVE represents the opportunity for full creative freedom: to experiment with sound without any limitations, and to embrace the vulnerability that comes with creating alone. The hypnotic music of CHVE is almost mind-altering, as the droning repetitions of the hurdy gurdy, various percussions and effects meld with the soft otherworldliness of Colin’s voice. Though not in the metal realm, the music contains a weight and heaviness on a par with that of Amenra.
“With your main band, there are a lot of boxes and expectations to check,” Colin says. “If you’re alone, you can do whatever you want. But in a way, the solo work takes more out of me. Suddenly when I’m on my own, everything falls on me. That’s very confrontational. I had a fear of failure as a kid, and that stays installed in you. But when it succeeds and you’re able to build something, it feeds your self-worth.”
Chve - KALVARIE [LP]
$23.98
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New album from the Floridian death metal legends. Deicide is one of the "big three" US Death Metal bands, along with Cannibal Corpse and Morbid Angel

Deicide - Banished By Sin [Indie Exclusive Opaque Gold LP]
$35.98
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Papercuts is the first singles collection from innovative musical force Linkin Park. The career-spanning 20-track album compiles 18 essential anthems, plus the never-before-released track “Friendly Fire” recorded during the 2017 sessions for their seventh album One More Light and fan-favorite rarity “QWERTY”.

Linkin Park were inspired to thoughtfully curate Papercuts by their fans’ passionate reception of the 20th Anniversary Editions of Hybrid Theory in 2020 and Meteora last year. That enthusiasm led to this comprehensive retrospective of the band’s journey so far in the span of one album.

Linkin Park - Papercuts [Indie Exclusive Black & Red Splatter]
$37.98 ON SALE
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KNOCKED LOOSE:

 

As Knocked Loose chipped away at what would become their third album, they felt the pressure from all sides. Internally, there was the need to challenge themselves as songwriters while retaining the merciless intensity and unflinching honesty that have always been their calling cards. Externally, there was a whole new set of eyes on the hard-touring Louisville quintet, following a banner year in which they’d brought their underground-seasoned sound to some of the world’s biggest stages, finding themselves the unlikely viral darlings of both Coachella and Bonnaroo.

 

 

The creative process was arduous, with the band writing close to 40 songs across a span of four years before locking in the 10 tracks that make up new LP You Won’t Go Before You’re Supposed To. But in the end, vocalist Bryan Garris, guitarists Isaac Hale and Nicko Calderon, bassist Kevin Otten and drummer Kevin “Pac Sun” Kaine honed a diverse, cohesive and savagely intense album that both sums up the massive strides they’ve taken during their decade as a band, and asserts their boundless potential going forward.

 

 

Raging lead single “Blinding Faith” skillfully wields whiplash tempo changes in service of a scathing indictment of religious groupthink. “Don’t Reach for Me” combines the band’s signature frenzied attack with deliberate catchiness and refreshing sonic variety. While “Suffocate,” featuring pop-meets-metal trailblazer Poppy, contrasts an oppressive heaviness befitting the title with a dance-y, syncopated groove and, midway through, the most concussive reggaeton rhythm you’ve ever heard.

 

 

The album title — a phrase that a fellow passenger said to Garris to soothe his severe air-travel anxiety during a particularly trying flight — strikes a note of reassurance. But glossing over negative emotions isn’t what Knocked Loose are about. The new songs find them plumbing new depths of loathing — directed both inward and outward — and tortuous anguish. Musically, they’re leaning into their most extreme impulses, from blastbeat-driven fury, chaotic turbulence and seismic breakdowns, while seasoning the mix with ear-catching auxiliary percussion, evocative samples and shout-along hooks, all interwoven to perfection by Grammy-nominated, pop-savy producer Drew “WZRD BLD” Fulk.

 

 

There’s no ceiling for hardcore in 2024 — even an outfit as uncompromising as Knocked Loose can turn up in mainstream-adjacent spaces and win over new fans. But there’s a center to what they do that will never change: uncompromising heaviness, both sonically and thematically. What is evolving is their drive to find new ways to convey that heaviness, and add tasteful variety that only highlights their undiminished ferocity. Everywhere Knocked Loose have been is here on this record — but so is everywhere they may yet go.

Knocked Loose - YOU WON'T GO BEFORE YOU'RE SUPPOSED TO [ Indie Exclusive Half Green / Half Yellow w/ Black & White Splatter LP]
$24.98 ON SALE
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Full of Hell burst forth with incredible force from the small, dagger-shaped city of Ocean City, Maryland, 15 years ago. Over five full-lengths, five collaborative full-lengths, and countless splits, EPs, singles, and noise compilations, they’ve evolved at extraordinary speed, their music becoming more complicated and technical without ever slowing down or losing its soul. Everything on a Full of Hell album feels like a blur: smears of guitar, harsh noise shaken like gravel in a bag, singer Dylan Walker’s snarl and bite carrying him into outer space or into the core of the earth. They’re coiled, interlocking, impossible to penetrate, and they move with alarming speed. 
They have now reached terminal velocity. Having created their own context, they’re now able to walk around within it, to survey its terrain, to visit far corners and see who’s nearby. Coagulated Bliss sounds like Full of Hell, but it’s nothing like any Full of Hell record that’s come before it. These songs are trimmer, less freighted with anxiety, more interested in opening up than speeding away. Its bile is sometimes funneled into traditional song structures. It never shies away from the extreme harsh noise, unrelenting spirit, and pitch-black sadness of previous Full of Hell records; if anything, the leanness of these songs makes them feel even heavier. Nevertheless, there are tracks here you might find yourself whistling hours after listening. It’s an extraordinary and unexpected evolution in sound for a band who made their name on rapid metamorphosis, and it’s the logical endpoint of everything Full of Hell has covered so far. “I wanted to try to take every aspect of what we’ve done from previous releases and integrate it into this one,” guitarist Spencer Hazard says. 
Coagulated Bliss was written and recorded shortly after the band completed When No Birds Sang, their collaborative album with Nothing. Working with the Philadelphia shoegazers gave Full of Hell new insight into the emotional and artistic power of classic pop songwriting, and to the importance of following a song where it wants to go. “That was a good experience of learning how to find what actually services a song,” Hazard says. “Even with Roots of Earth Are Consuming My Home, even when we’ve had an extreme grindcore influence, I still wanted it to be catchy.” Walker also cites the band’s work with The Body for helping him to “recognize that there was value in pop music.” Accordingly, Coagulated Bliss features some of Full of Hell’s strongest songwriting: Gone is the frenetic flailing of Garden of Burning Apparitions and Weeping Choir; in its stead is a richer, thicker sound, one that’s considerably less ornamented—and somehow heavier than ever.
These songs feel huge, totemic, groundshaking. In “Gelding of Men,” the entire band hammers away at one chord, stomping it into the ground at mid-tempo, blasts of horns helping to push.The numbskull stomp of “Doors to Mental Agony” sets up a circle pit, blasts it apart with a grindcore chorus, then slides away on a slanted riff. In the title track, they bounce back and forth on a thick groove, punctuated with occasional cowbells and scratched up by Walker’s scream, barrel into a pummeling chorus, then jump back out onto the dance floor. 
While the focus on songwriting already makes Coagulated Bliss the most grounded album in Full of Hell’s catalog, it’s also the first Full of Hell record that tries in earnest to reflect the world around it—not in some broad, monotony-of-evil way, but the everyday horrors of life in small town America. Three of the four members of the band were raised in Ocean City. Hazard and Bland still live there, while Walker is located in central Pennsylvania and bassist Samuel DiGristine relocated to Philadelphia. “The American dream is small towns,” Hazard says. “But anyone that’s grown up in a small town realizes it’s just as fucked up in a small town as it is in a big city—if not more, because it’s more condensed.” 
Walker’s lyrics have always framed their suffering with what he calls “fantastical, metaphorical shit,” but on Coagulated Bliss his writing is clear and direct. The album’s title is meant partly to reflect the idea of the over-pursuit of happiness leading to misery—whether in addiction, greed, or anything else. “Your happiness is just out of reach and you don’t know why,” he says. “Too much of this bliss, you think you’ve found your endpoint, but it’s really just this small, tiny, little thing that’s going to ruin your fucking life. And that could be anything.” Much of the album is rooted in the band’s own experiences. “A hundred dead ends, a thousand dead friends,” Walker screams on “Doors to Mental Agony.” “I hear their howling, I hear them weeping.” There are corpses slicked with morning dew, “false balms for deep wounds,” numb failures, thieves in the night and killers in the dark. There are many trackmarks; there are many dirty needles. 
The album’s viciousness and Walker’s clear reading of the world around him might scan as misanthropy—“humanity to blame,” he concludes after running through the ways the earth is “riddled with sores” in “Gasping Dust”—but it comes from a place of disappointment that’s driven by a deep love for people and life and the world. “There’s not a lot of anger, to be honest,” he says. “I’ve never felt anger when we’re playing, ever. It feels like electricity that’s built up in my body that has to get out. But I feel more profoundly sorrowful than I ever do anger.” 
The world may be in a constant state of bitter flux, but Full of Hell have never sounded more at home in it.“We’ve shed any kind of ‘do we belong in this space, what do people expect of us,’” Walker says. “The joy is in the pursuit.” The loosening of their grip on the direction of their music has made it feel paradoxically closer to the bone. “People tend to burrow themselves so deeply into things they love,” Walker says. “It’s too much of a good thing, and it almost cheapens it.” By paring back their sound, Full of Hell aren’t just finding a new way forward: They’re proving that a little bit less of a good thing can add up to so much more.
Coagulated Bliss was recorded at Developing Nations in Baltimore by Kevin Bernstein, mixed by Taylor Young at The Pit Recording Studio in Van Nuys California and mastered by Nick Townsend of Infrasonic Sound in Los Angeles California. Full of Hell is Spencer Hazard (guitar/electronics), David Bland (drums/vocals), Samuel DiGristine (bass/sax/vocals), and Dylan Walker (vocals/electronics/lyrics), with new guitarist Gabriel Solomon joining following the album’s completion. Coagulated Bliss is out April 26 via Closed Casket Activities.
Full Of Hell - Coagulated Bliss [Indie Exclusive Neon Yellow, White and Olive Green Mix LP]
$23.98
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THE NEW, EPIC METALLIC ODYSSEY FROM THE LONGSTANDING NORWEGIAN DUO OF FENRIZ & NOCTURNO CULTO. PRESENTED ON LIMITED PURPLE VINYL WITH PRINTED INNER SLEEVE. With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway's Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, 'It Beckons Us All'. Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, 'It Beckons Us All' follows on the heels of 2022's revered 'Astral Fortress' album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone's highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way. Recorded once again at Chaka Khan Studios in the band's native Norway, 'It Beckons Us All' was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak.
Darkthrone - It Beckons Us All [Indie Exclusive Purple LP]
$29.98
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Vinyl LP pressing. 2010 release from the Punk Rock survivors. Bad Religion are celebrating three decades of influential, thought provoking and groundbreaking Punk Rock with the Dissent of Man, their 15th studio album overall. The result is one of the band's most forward thinking and musically varied albums ever.
Bad Religion - The Dissent Of Man [LP/CD]
$23.98
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Double vinyl LP pressing. 2009 album from the Punk heroes, a ready-made classic that'll take it's place alongside And Out Come the Wolves as a touchstone of the genre. The new songs show a lyrical depth previously unmined. Punk has often seen the world as 'us vs. Them' but with these songs, Rancid show an empathy for working Americans that recalls Springsteen Or Petty. Produced by Brett Gurewitz.
Rancid - Let the Dominoes Fall
$29.98
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Green Day

Dookie

CD: $9.98 Buy

MP3 Album: $9.99 Download

Certified at 10 million units by the RIAA. (2/01)
Green Day - Dookie
$9.98
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It's been 13 years since Alkaline Trio released their first full-length album, GODDAMNIT. In that time, they've toured the world, sold over a million records, and expanded their sound radically beyond their original straight-ahead punk style. Now comes an amazing retrospective of those 13 years, DAMNESIA, as ALK3 takes to the studio to record acoustic versions of 13 fan favorites and 2 new songs.
Alkaline Trio - Damnesia
$29.98
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Vinyl LP pressing. 2013 release from the Punk-Pop band. It's been over a decade since Alkaline Trio released their first full-length album, Goddamnit. In that time, they've toured the world, sold over a million records and expanded their sound beyond their original straight-ahead punk style, incorporating more melody and production. With My Shame Is True, their eighth studio album, Alkaline Trio have honed their songwriting craft to a new high, coming with their strongest set of songs to date.
Alkaline Trio - My Shame Is True
$23.98
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Vinyl edition of "Hard Times and Nursery Rhymes" features 2 bonus tracks!
Social Distortion - Hard Times and Nursery Rhymes
$29.98
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Vinyl LP pressing includes download card. 2010 release, the seventh album from the Punk Rock veterans. It's been 11 years since Alkaline Trio released their first full-length album, Goddamnit. In that time, they've toured the world, sold over a million records, and expanded their sound radically beyond their original straight-ahead Punk style, incorporating production slick enough to earn them mass exposure on outlets like MTV's the Hills. Now, with This Addiction, the Chicago rockers are heading back to their roots.
Alkaline Trio - This Addiction
$23.98
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Big Black

Racer-X

Vinyl: $18.98 Buy

Remastered by Steve Albini and Bob Weston at Chicago Mastering. Big Black was started by Steve Albini in 1982 while he was living in Evanston, Illinois, and attending Northwestern University. After recruiting Jeff Pezzati (Naked Raygun) to help out on bass and Santiago Durango (Naked Raygun)on guitar, together with live drummer Pat Byrne, they recorded the Bulldozer EP in 1983. By 1984, the band did some touring and signed a deal with Homestead Records. They recorded one more time with Pezzati on bass, which resulted in their Homestead debut the Racer-X EP.
Big Black - Racer-X
$18.98
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Green Day

Insomniac

CD: $9.98 Buy

MP3 Album: $9.99 Download

Certified at 2 million units by the RIAA. (2/96)
Green Day - Insomniac
$9.98
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The predecessor to "Smash", "Ignition" has sold 625K to date. Here it is re-mastered, with every metallic power chord and sing-along chorus the way it sounded in the studio. Contains digital download card for entire album.
The Offspring - Ignition [Remastered]
$23.98
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Vinyl LP pressing. 2013 album from the veteran SoCal Punks. In a world still brimming with rampant anti intellectualism, inequality and oppression, Bad Religion's signature brand of sonically charged humanist dissent seems as relevant as ever. On True North, the storied band deliberately revisits and refines the powerful and melodic Southern California sound they helped to define. 16 songs. 35 minutes.

Bad Religion - True North [LP]
$23.98
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2002 vinyl LP reissue. The raw energy of The Adolescents announced the birth of the So. Cal. Punk scene. Brash lyrics and furious playing were their hallmarks that led to a cult status among punk afficianados. Their self-titled album from 1981 set the proverbial stage for everyone from The Dead Kennedys to Green Day and Offspring. Scoring a punk hit with "Amoeba," The Adolescents soon outgrew each other and split apart. Yet their attitude and high-intensity playing live on. Original copies of their only LP are nearly impossible to find, but this reissue on vinyl is a treat for punk fans and collectors. It is one of those rare albums you just can't miss. Frontier Records. Recorded at Perspective Sound, Sun Valley. Mastered at A&M, Hollywood by Frank DeLuna
Adolescents - Adolescents
$25.98
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Having built a fanatical fan base touring through the US and Canada, these Winnipeg natives finally offer a permanent record of one of their fantastic live shows recorded on the tour for their triumphant 2007 release Reunion Tour.
The Weakerthans - Live at the Burton Cummings Theatre [LP]
$31.98
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Dust off your combat boots and studded leather for one of the greatest rock records ever made! The poster boys of punk rock bring the controversial God Save the Queen plus Anarchy in the UK; Pretty Vacant; E.M.I.; No Feelings; Submission and more!
Sex Pistols - Never Mind the Bollocks
$9.98
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Green Day

Warning:

CD: $9.98 Buy

MP3 Album: $9.99 Download

The band has risen from their two-year slumber ready to reclaim their title as punk provocateurs! Tracks: "Minority," "Warning," "Macy's Day Parade" "Blood, Sex and Booze" and many more!
Green Day - Warning:
$9.98
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Vinyl LP pressing. 2012 release from the Canadian Progressive Thrash legends. Propagandhi join the Epitaph roster with Failed States just in time for their politically engaged anthems to form a soundtrack to that magical theatrical production known as the US elections. Failed States is the band's sixth album, and their second as a four piece with the addition of Dave "The Beaver" Guillas on guitar. This has led to a distinctive thickening and fortifying of the band's sound, to the point where they now achieve maximum heaviness, in a good way. For example, in past years, their live show has been described as both "alright" and "ok. " with the addition of the Beaver to the arsenal, it is now being hailed as "decent" and "satisfactory. " This is most definitely the best Propagandhi album yet, full of loud, fast, indignant songs that stick in your head.
Propagandhi - Failed States
$23.98

        
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