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Life is horribly dark right now. And yet, it is not unfunny. Thats the sentiment that animates Water From Your Eyes on their new album, and first for Matador, Everyones Crushed. On the follow-up to the Brooklyn duos 2021 breakthrough, Structure, Rachel Brown (they/them) and Nate Amos (he/him) find silliness and fatalism dancing in a frantic lockstep, using heart palpitating rhythms and absurdist, deadpan lyrics to convey stories of personal and societal unease. Described by Brown as Water From Your Eyes most collaborative record ever and, as such, a kind of reset for the pair, almost like a debut, despite technically being their sixth its a swollen contusion of an album: experimental pop music thats pretty and violent, raw and indelible.

Life is horribly dark right now. And yet, it is not unfunny. Thats the sentiment that animates Water From Your Eyes on their new album, and first for Matador, Everyones Crushed. On the follow-up to the Brooklyn duos 2021 breakthrough, Structure, Rachel Brown (they/them) and Nate Amos (he/him) find silliness and fatalism dancing in a frantic lockstep, using heart palpitating rhythms and absurdist, deadpan lyrics to convey stories of personal and societal unease. Described by Brown as Water From Your Eyes most collaborative record ever and, as such, a kind of reset for the pair, almost like a debut, despite technically being their sixth its a swollen contusion of an album: experimental pop music thats pretty and violent, raw and indelible.

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Life is horribly dark right now. And yet, it is not unfunny. Thats the sentiment that animates Water From Your Eyes on their new album, and first for Matador, Everyones Crushed. On the follow-up to the Brooklyn duos 2021 breakthrough, Structure, Rachel Brown (they/them) and Nate Amos (he/him) find silliness and fatalism dancing in a frantic lockstep, using heart palpitating rhythms and absurdist, deadpan lyrics to convey stories of personal and societal unease. Described by Brown as Water From Your Eyes most collaborative record ever and, as such, a kind of reset for the pair, almost like a debut, despite technically being their sixth its a swollen contusion of an album: experimental pop music thats pretty and violent, raw and indelible.

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