Michael introduces a lifelong rap fiend whose consciousness is steeped in the sounds of community that raised him – multiple eras of southern rap flows, Sunday church service and barbershop discourse. The 14 tracks were produced by No ID features the likes of Future, Young Thug, Ty Dolla $ign, Curren$y, André 3000, EL-P, Eryn Allen Kane and more!

Bristling with light and color, It’s The End Of The World heralds an imaginative new era for 30STM, one that not only explores the darker sides of the human experience but the hope as well, an arresting reminder that even in the face of seemingly impossible obstacles, there is still beauty to be found in the world.

Mono is a testament to K.Flay’s resilience and creative spirit, as the title itself is a reflection of her new sensory reality, having experienced sudden and complete deafness in her right ear due to SSNHL. Instead of allowing these challenges to dampen her spirit, K.Flay channeled her journey into her music, resulting in her most experimental album to date.

Deluxe 2 CD version contains remastered album and a bonus disc of the highlights from the Super Deluxe 10 CD boxset. Featuring 21 total tracks with 8 previously unreleased tracks and 4 tracks with fresh remixes. The set also contains a 20-page booklet with notes from Andy Neil and photos and memorabilia from the time.

Conceived as a soundtrack to an imaginary film playing in his head, Movie of the Week plays differently than any other release in the expansive Shakey Graves catalog. It’s less reliant on his offbeat brand of folk-rock and instead pushes him into the realm of psychedelic pop, samples, and more abstract arrangements.

Stone finds the Philadelphia quartet streamlining the momentous multi-genre vocabulary of its critically-acclaimed predecessor Gold & Grey. This is still very much Baroness—just refocused for efficiency and rethought as a consequence of stability. These tracks reflect thoughtfully, groove deeply, and refract tumult effortlessly. And they, of course, rock.

Corey Taylor has no fear when it comes to truly expressing himself through music. CMF2 is 13 diverse, unforgettable songs ranging from the punk rawness and anthemic rallying cry of “We Are The Rest” to the acoustic lament “Breath Of Fresh Smoke” to “Post Traumatic Blues,” which has a wild sensibility that echoes the lyrical topic of PTSD.

Black Rainbows draws inspiration from The Stoney Island Arts Bank -- a cathedral to Black Art comprised of books, sculpture, records, furniture and problematic objects from America's past. It’s a multi-genre mix of Rae’s familiar, progressive R&B, neo soul sound alongside rock, jazz and electronic elements.

What happens when you wish upon a star? You get new music from Herb Alpert, of course! The prolific trumpet player returns at age 88 with his 49th album. Filled to the brim with new takes on classic songs we've known and loved for decades, this set of music continues to serve up the unmistakable trumpet playing of the Tijuana Brass master.

Acclaimed saxophonist Joshua Redman’s stunning Where Are We is a musical journey across the United States that also marks Redman’s first-ever vocal album with the dynamic young singer Gabrielle Cavassa along with a brilliant band comprised of pianist Aaron Parks, bassist Joe Sanders, and drummer Brian Blade.

While influences from Bruce Springsteen and Big Star could be heard weaved throughout 2020’s Private Lives, Art Dealers is a much more 70’s New York-centric record, nodding to Patti Smith and Lou Reed. It’s a perfect mix of charm, love and devotion with just enough sleaze and grit to keep it interesting.

Co-produced by Allison along with dim star (JT Nero and Drew Lindsay), it features her "Rainbow Coalition" band of female musicians along with special guests: the legendary Wendy & Lisa, Brandi Carlile, Brandy Clark and Hozier. The follow-up to her acclaimed debut Outside Child, The Returneris a soulful expression of liberation, love, and self-respect.

Remaining loyal to the hypnotic psychedelic stylings and hook-filled melodies for which the band is well known, Rain Parade takes you on a journey through time and space, ranging from spacey folk to raging psych rock. Featuring appearances from The Bangles, Debbie and Vicki Peterson and the Moore Brothers.

While still rooted in Anjimile’s folky past, The King is a trickier collection to pin down — its amorphous, and ever-expanding palette is also a major part of its appeal. What’s sure is that Anjimile wants to keep breaking down musical boundaries. Anjimile sums it up best: “I feel free to get weird now, in a way I didn’t before.”

The highly-requested, unbelievably-anticipated official vinyl release of Boris's 2002 album and first dive into the stoner rock idiom, originally released in Japan on CD only. Heavy Rocks (2002) is heavy, sure, but fuses sludge, noise, stoner rock and hardcore all together for a deeply bone-shaking and unforgettable trip.

Debut solo album from The xx’s Romy Madley-Croft. This is an album that deals with love, grief, relationships, identity, and sexuality -- a love letter to the queer clubs and a celebration of the sanctuary and salvation found throughout. Euphoric, tender, and emotional, Mid Air encapsulates the universal purpose of dance music.

“This is a collection of songs I playfully pieced together as if I was pitching a group of songs to Elvis. Some covers, one co-write, and some I even wrote in my best (terrible) Elvis impersonation, as I worked around the farm and kicked around the house. I hope you enjoy listening to this album as much as I enjoyed creating it. Thank you. Thank you very much.”

The veteran death metal band’s ninth album is fast, intense, and brimming with unstoppable grooves. Monstrous riffs, blast beats, unstoppable hooks, and earth-moving grooves define Dying Fetus’ catalog and Make Them Beg For Death delivers those savage beatdowns equally designed to pulverize and mesmerize.

2020’s Auto-Pain was an album of thick brutalist architecture and post-punk full of straight lines and sharp angles. On Careful!, they’re reshaping the facades and splashing color, testing limits. There are synth experiments, there’s darkwave and coldbeat. There are massive rock’n’roll songs. There is a remarkably moving love song. There’s a lot. Go deeper.

Whether Suburban Legend is tackling romantic love, late-stage capitalism, mental health woes, or teen nostalgia, the thread tying it all together is its utter relatability. Regardless of where you are in life — city or suburbs, school or work, or pursuing a creative dream of your own — Durry’s pop-punk will meet you there with a wink and a high five.

Ngonda is one of the most captivating performers on today’s soul scene. His voice, equal parts raw feeling and elegance. Come Around and Love Me reveals his classic approach rooted in the sounds of revered pioneers, without falling into imitation–leaving no doubt that Jalen will continue to shine within the timeless musical tradition that is Daptone.

As a coming of age story, Jobi touches on themes of self-love and channeling inner strength to empower herself and others. Whiplash is an exquisite balance of catchy, empowering, upbeat Americana tunes and reflective, deeply sentimental ballads achieved through Jobi’s poetic lyricism and her incredible vocal control.

Wilson is finally at a place to feel totally free to take chances. Cue experimentation ranging from Tom Waits-meets-Frank Zappa flurry and semi-orchestral zippiness to guitar-picking psychedelic folksiness and bossa-nova swing. The unconstrained result is a treasure chest that blends several surprises with microdots of strangeness.

Morning Shift marks the Grammy award-winning band’s first since the departure of lead vocalist and founding member Woody Platt. The Rangers have added acclaimed singer-songwriter Aaron Burdett as an official member of the band, bringing new ideas and harmonies to the sextet’s ever-evolving sound.

Live album by indie-pop legends featuring performances from their 2013 reunion tour of Give Up – the landmark album that brough indietronica to the mainstream with its strangely tender mix of breakbeat and folk. This is the first time the show has been released on CD and vinyl, and features previously unreleased "Never Enough Time."

On Jeff Rosenstock's ninth album, the spontaneous DIY trailblazer returns with the most confident and cohesive album of his career. Featuring massive pop gems, as well as softer songs showcasing an intimate, immediate sound, Hellmode is a chaotic and frenzied album that captures the essence of the current state of the world.

With its off-kilter heavy psych weirdery, primal polyrhythmic grooves, and dystopian themes, Data Doom offers a heady stew of the loud, the funky and the weird, and doesn’t let up from the first riff to the last. From a fuse lit by modern-day monstrosities the band seeks to find salvation through a thousand watt wake-up of rock n’ roll exfoliation.

Átta is a welcome return to form and beyond for the band, ten years removed from their last studio release, and their partnership with a 41-piece orchestra is both logical and awe-striking. It’s a significant milestone, a step towards musical immortality that Sigur Rós feel destined for after having blown the possibilities for post-rock wide open.

Spanning psychedelic soundscapes, pulsating 80’s electronic elements and John Cale inspired journeys, Everything… lands immediately as something made for 2023 and beyond. Slowdive show their craft as the masters of the genre by pushing it outwards, beyond the singular; the end result being a record which feels as emotional and cathartic as it is hopeful.