Rise Against return with their most resounding and reinvigorating music to date. In modern times, these punk rock pathfinders find a world of constant stimuli, algorithms intended to aggravate and divide. They ask fans to consider who ultimately benefits from this collective division and displeasure. Ricochet is an album massive in sound, but centered around the small parts of the psyche that lead to the biggest positive change.

Celebrating 30 years of their seminal sophomore album and worldwide multi-platinum masterpiece. This Deluxe set now includes newly mixed, remastered audio from the original album’s producer Stephen Street, 2 brand-new remixes from Chvrches’ Iain Cook, unreleased live music from Woodstock ’94 and the unearthed demo of fan favorite “Zombie.”

A polished retrospective from stadium-pop stalwarts, The Collection corrals 16 career-defining tracks into one slick package. From the genre-defining “Apologize” to streaming juggernaut “Counting Stars,” it’s a chart-scaling celebration of sleek songwriting. And with cinematic cuts like “I Ain’t Worried,” it cements OneRepublic’s legacy as quietly ubiquitous hitmakers.

The highly anticipated 8th studio album from Maroon 5, Love Is Like, features the percussive, jazz-chord daydream hit "Priceless" ft. LISA, and the new sax-laced, slap-bass funk-pop single "All Night." Maroon 5 has expanded their instantly recognizable sound with a hooky and dynamic new sonically ambitious album.

Three decades in, Chevelle sharpen their sonic blade with a lean, nine-track surge of post-grunge grit and cinematic heft. Self-produced and fearlessly exploratory, it’s their most vital work since 2014’s La Gárgola. Brooding yet hook-laden, Bright As Blasphemy is proof the Loeffler brothers still pack thunder, soul, and seismic groove.

A prequel to the critically acclaimed Preacher's Daughter, the new album recounts the story of Ethel's first love and their humid, laden romance. Hayden Anhedonia, the creative force behind the entire project, has spent the past several years assembling the album in her home studios from Coraopolis, PA to Tallahassee, FL, all the while selling out tours and playing festivals worldwide, cementing herself as a singular artistic voice on the rise.

Reuniting in the iconic American Football house, Anamanaguchi trade chiptune polish for raw emotion and live instruments. Guided by Dave Fridmann, Anyway is their most heartfelt work. The introduction of vocals, tape warmth, and friendship fuels this soaring rock reinvention. From introspective anthems to kitchen-sink catharsis, it’s a bold, analog leap into a digital world’s soul.

Bad Suns supercharge their indie-pop engine with cinematic ambition and genre-defying finesse. Shimmering guitars, pulsing synths, and relentless grooves fuel their boldest evolution yet. Hook-laden yet emotionally rich, it’s a widescreen listen that demands attention from one of alt-rock’s most versatile shape-shifters.

BABYMETAL return with a bold evolution of their genre-defying fusion of J-pop and heavy metal, including features from Poppy, Slaughter To Prevail, Tom Morello and Bloodywood. Metal Forth signals a new chapter, blending thunderous riffs, soaring vocals, and high-energy choreography. Building on their global legacy this release reaffirms the trio’s status as pioneers pushing metal into the future.

On her 2020 debut, Gracie Abrams delivered a hushed, heart-on-sleeve collection steeped in bedroom pop intimacy. Sparse production and fragile vocals framed confessional lyrics that ached with youthful longing and quiet self-discovery. It was a tender, diaristic portrait of emotional growing pains, understated yet piercing, that marked Abrams as the new voice of melancholy indie-pop.

This is Kelly’s rediscovery of the American dream, a journey to find what’s been lost. With help from his longtime collaborators, mgk reaffirms his signature alt-pop rock sound uniquely layered with guitars that are coated with emotion and cinematic sonics. Following the success of his recent summer hit "cliche," mgk shares more emotionally honest new chapters that reflects on his past.

Carll’s tenth album blends wry wit, social commentary, and tender self-reflection with easygoing Americana charm. From gospel-tinged finale “May I Never” to ragtime jaunts and blues confessionals, it’s a masterclass in songwriting. Rather than preach, Carll looks inward, urging grace in divisive times. Equal parts humor and humanity, We’re Only Human is quietly profound.