Indie Exclusive Releases
Cigarettes After Sex return with their anticipated sophomore album - Cry via Partisan Records. Recorded during night time sessions in a mansion on the Spanish island of Mallorca, the album is a lush, cinematic meditation on the many complex facets of love - meeting, wanting, needing, losing...sometimes all at once. The album was self-produced and engineered by Greg Gonzalez, and mixed by Craig Silvey (Arcade Fire, Yeah Yeah Yeahs).
2 Custom 180 Gram Translucent Orange LPs, Gatefold Jacket, Printed Insert, Inside LP Pockets, 24”x 36” Movie Key Art Poster folded and 11” X 17” Hollywood Map Poster folded
For principal songwriter and frontman Neige, ALCEST has always been a gateway to the otherworldly, a means of exploring his spirituality. An elemental two-piece, completed by long-serving drummer and creative confidante Winterhalter, their forthcoming sixth album “Spiritual Instinct“ finds Neige at his most personal. “This time I had something urgent to put on the table,” he explains. “It is a very cathartic record - something needed to get out of me. It’s darker than usual, and heavier.” Written in bursts both during and after a prolonged period of touring in support of 2016’s hugely successful “Kodama“, the sense of urgency Neige speaks of manifests in a record full of spontaneity, of immediate impact – be that in the breath-taking pace of the tempo changes in 'Les Jardin De Minuit'’ or the sun-kissed harmonies over an impermeable back beat in 'Sapphire', one thing “Spiritual Instinct“ has is riffs, an acknowledgement and celebration of the black metal foundations that anchor their uplifting post-metal. “Some real metal riffs!” agrees Neige. “I come from the metal scene originally and it never really left me; I used black metal as a teen as a way to escape from reality and that’s what I love the most about it. It’s the best type of music to express overwhelmingly darker feelings. I usually don’t speak about my darkness in ALCEST’s music but this time it felt like something I had to do.”
Ukrainian progressive groove metal wrecking machine JINJER have returned with their long awaited new album Macro and once again prove why the unique blend of singer Tatiana Shmaylyuk‘s beautifully aggressive harmonies and vocal hooks, and the bands sheer technical brilliance and precision have set them apart from the pack. From Macro’s opening track ‘On The Top’, which showcases all of their trademark sounds at once, to the superior musicianship and delivery of tracks like ‘Pausing Death’ and ‘Home Back’, to the viciously heavy reggae induced vibe on ‘Judgement (& Punishment)’, JINJER are making it known that they are here to take over in a huge way.
The Soul Rebels return with their first official album in over 7 years. In that time The Soul Rebels have amassed a following of esteemed artists including Katy Perry, Nas, Marilyn Manson, DMX, G-Eazy, Rakim, Joey Bada$$, Robin Thicke, Metallica, Rakim, Mannie Fresh, and GZA who look to them to help enhance their live performances.
The Soul Rebels expand musical boundaries with an unwavering commitment to originality. Far more than augmentation and accompaniment, the octet – Julian Gosin [trumpet, MC], Marcus Hubbard [trumpet], Lumar LeBlanc III [snare drum], Derrick Moss [bass drum], Corey Peyton [trombone, MC], Erion Williams [saxophone], Paul Robertson [trombone] and Manuel Perkins Jr. [sousaphone] – pioneer the integration of their chosen instrumentation.
For Poetry In Motion — the group’s first album for their new imprint, Rebelution Music Group, on Artistry Music/Mack Avenue Music Group — The Soul Rebels infused this handcrafted approach into a wider sonic palette than ever before.
Poetry In Motion features a power packed line up of notable artists including: Tarriona “Tank” Ball of Tank and The Bangas, Big Freedia, Robert Glasper, Branford Marsalis, Matisyahu, PJ Morton, Trombone Shorty, and Kes.
New Vinyl: $25.98 Buy
Double LP. Originally released in 2009. Remixed and remastered in 2019.
New Vinyl: $20.98 Buy
Originally released in 2011. Remixed and remastered in 2019.
Part 2, like Part 1, was produced by Foals themselves: Yannis Philippakis (vocals/guitar), Jimmy Smith (guitar), Jack Bevan (drums) and Edwin Congreave (keys), with Philippakis and Congreave contributing bass too. The album simmers with the pure visceral intensity which has long been emblematic of the band— “The Runner” and “Black Bull” are streamlined attacks, and this approach also informs“10,000 Feet”— while retaining the opening chapter’s eclectic nature. “Wash Off” marries manic world music-tinged grooves with a punk-like intensity and the cinematic instrumentals “Red Desert” and “Ikaria” underline that Everything Not Saved Will Be Lost is a journey rather than a mere collection of songs.
New Vinyl: $27.98 Buy
The best musical mavericks never sit still for long. They mutate and morph into new shapes, refusing to be boxed in. Floating Points has so many guises that it’s not easy to pin him down.
Floating Points’ first album in four years, Crush, twists whatever you think you know about him on its head. It’s the producer at his most “unhinged,” he says, a tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in. It’s the sound of the many sides of Floating Points finally fusing together: the carefree selector, the considered composer and the passionate label curator. But it’s also a sound that, while it’s born out of despair and frustration with the overwhelmingly dark forces around us, manages to provide some hope for compassion. Crush on that.
Virginia Metalheads MUNICIPAL WASTE return with a fresh EP for fall 2019. It’s been few years and several hundred live shows since the Waste oozed out the much celebrated Slime and Punishment album. Back with 4 ripper tracks that embrace all the bands punk and street metal roots without clutching the past. That honest formula has led the Waste to innovate the festival scene with the opening track and party of the summer “Wave of Death”. Charged by the exotic and biting wit of vocalist Tony Foresta. Turbo charged by the dual guitar aggression of Ryan Waste and Nick Poulos. Locked in and ready for takeoff by rhythm section LandPhil Hall on bass and Dave Witte on Drums. Partiers, you’ve been taught the “Art” and now it is time for an advanced lesson. Thrashers on alert! MUNICIPAL WASTE is delivering, The Last Rager.
New Vinyl: $29.98 Buy
The Root Down EP from Beastie Boys was released on May 23, 1995. The first three tracks are variations of the track "Root Down", and the remaining seven tracks were recorded "live in Europe, winter 1995". Pressed on 4 random colored Limited Edition 180-Gram vinyl (Red, Orange, Green, or Blue).
To the 5 Boroughs is the sixth studio album by the Beastie Boys. The album was released on June 15, 2004 internationally, and debuted #1 on the Billboard 200. Featuring the singles Ch-Check It Out, Triple Trouble, Right Right Now Now, and An Open Letter To NYC. Pressed on Limited Edition 180-Gram Blue Vinyl.
Music has been the genesis of Common's creative life. Let Love is the culmination of a journey. Common spent 2018 and 2019 immersed in self-care and, ultimately, catharsis. In the process, he underwent a transformation as he examined God, faith, fatherhood, community, and love. He unites with prominent forces from different eras of the culture to deliver a timeless dedication to hip-hop. As such, the record details his past and present and shines a light on a bold and bright future. Of hip-hop, Common admits on lead single HER Love, "You gave me a voice in the world, it's been hard to choose another girl."
"a State of the Rap Union as he addresses the rise and expansion of hip-hop throughout the past 25 years" - VIBE
"his most impactful body of work yet, - OkayPlayer.
"Common's homage to hip-hop" - Rolling Stone
On their fourth LP (after Allah-Las, Worship The Sun and Calico Review), drummer Matt Correia, bassist Spencer Dunham, and guitarists Miles Michaud and Pedrum Siadatian A.K.A Allah Las turn their collective gaze outward and toward the horizon. Simply titled LAHS (a reference to a common misspelling of the band’s name), their forthcoming release on Mexican Summer finds the band turning in their most cohesive and ambitious work yet. “We’ve been traveling a lot the past couple years and I think that played a role in influencing the broader variety of songs on this record” Correia explains. And this is precisely what sets LAHS apart from its predecessors -- a record inspired less by time, but by place. “LAHS to me feels like a soundtrack to the past 5 years or so. A sort of audio postcard to anyone who wants to listen.”
“It's like a coming-of-age crisis,” says Daniel Shultz about Out of the Blue, the messy and melodic debut album from his band, Dan Luke and The Raid. “It’s about being in that space in your 20s where you’re trying to get your shit together and figure things out in life. You’re dealing with your problems”—the singer, songwriter and guitarist pauses—“even as you’re going out and partying and getting into trouble all the time.”
Shultz and his Dan Luke & The Raid band mates know a thing or two about the last part of that equation, as evidenced by the songs and subject matter on Out of the Blue. Throughout the album’s 10 tracks, people are passed out on curbs under neon signs (“Black Cat Heavy Metal”), breaking hearts over rolled-up dollar bills (“Exoskeleton”), leaving baggies lying in passenger seats (“Money Mouth”) and faking smiles and feeling ashamed (“Golden Age”). Legs are bleeding, faces are numb and Shultz declares his band to be the “diamond kings of smut.” All the while, the music throbs and pulses and twitches and buzzes with the energy and enthusiasm and inexperience of youth, bursting with harsh, distorted guitar chords, blown-out synths squiggles and hopped-up rhythms—as well as, on occasion, moments of stunning and sincere melodic beauty.
With the weight and experience of events that have been at times joyful and sad, poignant and puerile, triumphant and tragic, Dan Luke and The Raid continue to carve out their future, one musical moment at a time. “What we want to do is create music, and create music in a way where people feel something,” Shultz says. “And when we see that happening it’s an amazing thing.”
We ve come Full Circle and Then Some, goes the chorus to the title track of Trigger Hippy s sophomore album, their debut for Nashville indie label Thirty Tigers on the Turkey Grass Records imprint, and it s the perfect description of the long road these experienced musicians have traveled to arrive with an eclectic set that burnishes their collective roots from country, delta blues, R&B and gospel to southern rock and funk, from Memphis soul to New Orleans honky-tonk. This new collection spotlights Trigger Hippy s patented call-and-response duets and three-part vocal harmonies, with a stylistic range that encompasses traditional country plaints ( Strung Out on the Pain ), classic rockers (the title track), honking blues ( Dandelion ), a Basement Tapes-ish swamp-pop nod to the devastation of Katrina ( Goddamn Hurricane ), Dr. John-meets Allen Toussaint bayou grooves ( Long Lost Friend ) and even a psychedelic trance/dirge raga ( Born to be Blue ).
Ode to Joy - the 11th studio album from the pioneering Chicago rock band Wilco - will be released Oct. 4 via dBpm Records. The album features 11 new songs written and produced by Jeff Tweedy and recorded by Wilco at the bands' own Chicago studio dubbed The Loft.
'May Your Kindness Remain' is Courtney Marie Andrews statement piece. It is the follow up album to Courtney Marie Andrews critically acclaimed 2016 album Honest Life, which made Rolling Stone's list of the "Top 40 Country Albums of 2016" and was The Bluegrass Situation's Album of the Year. She even appeared on an episode of 'Later…with Jools Holland.” She has toured with The Head & The Heart, Big Thief, Hamilton Leithauser and more.
Philadelphia-based punk band, The Menzingers are set to release their sixth studio album, Hello Exile. Produced by Will Yip (Title Fight, Quicksand), the album is the follow-up to the band’s 2017 critically acclaimed release After The Party.
Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On their new album Hello Exile, the band take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, Hello Exile ultimately maintains the irre- pressible spirit that’s always defined the band.
The Menzingers are: singer/guitarists Greg Barnett and Tom May, bassist Eric Keen, and drummer Joe Godino.
'A forgotten roll of film was found. Shot before the turn of the century, the photographs resonate with music. The images inspired an accompanying soundtrack. The music is full of stories. The songs and stories originate in two neighboring rural counties. The cast of characters includes four families of Mississippi musicians, three generations deep, and a photographer from Texas.' - Luther Dickinson In 2017, Wyatt McSpadden found an old roll of film and tracked down members of North Mississippi Allstars to share his forgotten photographs. The images were so profound and so beautiful that they would come to inspire the latest recording, Up And Rolling. The images inspired the band to ask, 'What did the music sound like that night in 96? What does Mississippi music sound like now? What would ideally be on the push button AM/FM radio as we drove thru the hills?' The North Mississippi Allstars would return to the famous Zebra Ranch to record Up And Rolling, inspired by Wyatt's images. They gathered together, trimmed back the wisteria, and swept out the converted barn recording studio. The fired up the tube amps and old computers and began conjuring up modern Mississippi music, ancient and futuristic all at once. Telling it how it was and how they think it should be. Up And Rolling is modern Mississippi. Transcending time and space, the music reaches out into the dark of night like the wisteria vine, looking for free hearted souls to latch onto and wedge into the foundation of hate, slowly tearing down walls a generation at a time.
New Vinyl: $19.98 Buy
The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people youd find in Wood Mountain, Saskatchewan (population very few.) The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home. Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, A beautiful album that nudges a classic past into a brave future.) and 2017s The Sirens Song (described by Uncut as Ageless and beguiling. A classic record for this or any other time.)Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentrys Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.
City and Colour’s sixth studio album will be entitled A Pill For Loneliness and will be released on October 4, 2019. The Orchard has WW rights ex. Canada, Australia, New Zealand. This will be the first new music from City and Colour in four years (almost to the date). The album was produced and mixed by Jaquire King (Kings Of Leon, Tom Waits, Modest Mouse, Norah Jones and more) and mastered by Emily Lazar (Beck, Coldplay, Dolly Parton, The Chainsmokers and more).